Just in case any FOX execs happen across this little blog…

1. The Location of New Orleans.
I am sick to death of watching New York shows or Los Angeles shows. New Orleans gives viewers a somewhat unique locale for a drama. Sure, I know that more and more shows are branching out into other US cities, but so many of them are obviously not filmed in those cities. K-Ville is filmed in New Orleans, and that is a wonderful change of pace for those of us that took that first hit of TV as kids and never bothered to get help for our affliction.
I mean, sure, a show like Grey’s Anatomy takes place in Seattle (right?), but you can tell that they did not film there. There is one or two exterior shots of that hospital, and we are to believe that poof, they are in Seattle. But it seems to me the only place they ever go outside of that hospital is to that bar across the street (At least not in the three episodes I have bothered to watch — that show is like a high school soap opera, but then even high school soaps seem more mature). ER did/does the same thing. There is no authenticity in the location, and today’s television viewer is more savvy than that. We want a sense of realism in our cop shows. K-Ville gives us that, in spades.

And one more point, K-Ville provides jobs and maybe a sense of pride for New Orleans, and hey, what US city can use the help more than NOLA?
2. The Dynamic of the Two Leads.

Not to get into a whole discourse on race relations in Television History, but it is refreshing to see an African-American Actor not only carrying the show, but carrying the cop team. In Miami Vice, the show centered heavily on Crockett and Tubbs was there to make it seem progressive. Add Edward James Almos and we have a cross-section of the American population — what, no Asian-Americans or Native-Americans, come on, it was the 1980’s.
Anthony Anderson is entirely watchable. His Marlin Boulet is a complex hero. He doesn’t have those cop superpowers that make him always right and know exactly which lead to follow, and he drinks on the job, and he tricks people into letting him steal evidence, and he bullies people into telling him what he wants. The flaws are as good as his strengths.
Cole Hauser’s Cobb is an equally strong and flawed character. He’s an escaped convict, for pete’s sake. What made him want to be a cop; couldn’t he have done just starting “doing good” by teaching kids or fighting fires? And what makes him such a good cop? Is it that he spent so many years on the wrong side of the law, and he can think like a criminal? Either way, I am digging it, and I want to see his character grow.
3. FOX, It is Not Like You Have Anything Better.
House is on its last season, face it. Bones just cannot be bringing in the viewers. Prison Break is so over, and the choice to put them back in prison, is well, pardon the pun, criminal (and lazy). What else ya got, Fox?
Give K-Ville a chance to grow. Maybe find a better night. Maybe start programming it after that insidious American Idol. Isn’t that how you turned House into a hit?
K-Ville, Fox, New York, Los Angeles, New Orleans, Seatle, Grey’s Anatomy, ER, Miami Vice, Edward James Almos, Anthony Anderson, Cole Hauser, House, Bones, Prison Break, American Idol